Specs

Format: VST3, AU
OS: macOS 10.15+, Windows 10+
Processing: 64-bit
Sample Rate: Up to 192 kHz
Latency: Zero latency
License: One-time purchase, machine-based (no iLok, no dongle)

How It Works

SPLIT. SHAPE.
RECOMBINE.

01 FREQUENCY SPLIT

Crossover at 80, 120, or 160 Hz routes your signal before anything else runs. Sub goes clean, everything above takes the chain. No phase artifacts, no latency.

02 INDEPENDENT PROCESSING

Drive, Weight, Bite, and Stereo width all work the high band only. Below the crossover, the sub is locked out of the processing path entirely. Nothing bleeds through.

03 RECOMBINE + BLEND

Both bands sum to one output. Mix controls how much harmonic processing sits on top of the sub. Push it as hard as you want, the low end underneath never moves.

Controls EVERY KNOB,
EXPLAINED. Six controls. Here's exactly what each one does and how to use it.

DRIVE Odd Harmonic Saturation Stacks odd harmonics fast. Edge on bass guitar, bite on synth bass, presence on an 808 that needs to cut. The aggression control.	WEIGHT Even Harmonic Warmth Even harmonic warmth that adds mass without mud. Where Drive adds edge, Weight adds body. Use it subtly for analog density, or push it to make a thin patch feel real.	BITE 3.5kHz – 18kHz Wide noise saturation across 3.5kHz to 18kHz. This is what makes your bass translate on phone speakers, filling the frequency range small speakers can actually reproduce.
STEREO Harmonics Only — Sub Stays Mono Width applied only to the processed harmonics above the crossover. Your sub stays mono and centered, always. Use it to add width without phase problems in the low end.	SUB CLEAN 80 Hz · 120 Hz · 160 Hz Your crossover. Everything below is completely untouched, no saturation, no processing. Start here before touching anything else.	MIX 0% Dry — 100% Wet Dry/wet blend. 0% is your unprocessed signal, 100% is fully processed, everything in between is your blend. Start at 50%.

Use Cases WHERE FANG
DRAWS BLOOD. Six sources. All of them heavier.

808 / SUB 808s need weight and teeth. FANG keeps the sub locked and loads the harmonic content above the crossover, so the same hit that moves a room also cuts on a phone speaker.	SYNTH BASS Digital basses don't have to sound digital. FANG adds even harmonic warmth and stereo width to the processed band, while the sub stays mono and locked underneath.	BASS GUITAR Bass guitar that bites back. Clean sub, harmonic aggression above the crossover. It sits and it cuts.
KICK DRUM Knock without mud. FANG shapes the beater and upper-harmonic click above the crossover without touching the thump, so presence comes up while the low end stays untouched.	BASS BUS The whole low end, locked. Bass guitar, 808s, and sub layers stop competing when FANG is on the bus. Harmonic saturation across the whole stack makes it feel like one source instead of three.	VOCALS Vocals that actually sit. Harmonic warmth and presence on layered parts without muddying the low mids. Dense and cutting, not dense and buried.

Tech Specs WHAT'S UNDER
THE HOOD.

Format	VST3, AU
OS	macOS 10.15+ · Windows 10+
Processing	64-bit
Sample Rate	Up to 192 kHz
Latency	Zero latency
DAW Compatibility	Ableton · Logic · FL · Cubase · Pro Tools · Bitwig
License	One-time purchase · Machine-based
Intro Price	$49.99 (regular $69.99)

Machine-based licensing via Moonbase. No iLok. No dongle. No subscription. Buy once, use on up to 3 machines. License delivered to your inbox instantly.

FREE DOWNLOAD DOWNLOAD FANG

DOWNLOAD - MAC DOWNLOAD - WINDOWS

Mac: VST3 / AU | Windows: VST3

GET FANG SIMPLE TOOLS. DEADLY RESULTS.

$49.99 $69.99

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FANG

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